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   <title>radical druid</title>
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   <id>tag:www.radicaldruid.com,2009://15</id>
   <updated>2009-01-06T19:26:10Z</updated>
   <subtitle>words and music by john l.</subtitle>
   <generator uri="http://www.sixapart.com/movabletype/">Movable Type 3.33</generator>

<entry>
   <title>Unconcious Mutterings No. 310</title>
   <link rel="alternate" type="text/html" href="http://www.radicaldruid.com/2009/01/unconcious_mutterings_no_310.html" />
   <id>tag:www.radicaldruid.com,2009://15.7277</id>
   
   <published>2009-01-06T19:25:17Z</published>
   <updated>2009-01-06T19:26:10Z</updated>
   
   <summary>Back on the subliminal track, thanks again to LunaNina.com | Unconscious Mutterings: Confirmation :: Ornithology Verse :: and Chapter Authorize :: Allow Blog :: Party Thirty :: and a Hippie Heir :: Apparent What are you doing? :: Dave? Complaint...</summary>
   <author>
      <name>JRL</name>
      <uri>http://www.radicaldruid.com/movabletype/aboutme.html</uri>
   </author>
         <category term="Words" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en" xml:base="http://www.radicaldruid.com/">
      <![CDATA[Back on the subliminal track, thanks again to <a title="LunaNina.com | Unconscious Mutterings" href="http://subliminal.lunanina.com/">LunaNina.com | Unconscious Mutterings</a>:

Confirmation :: Ornithology
Verse :: and Chapter
Authorize :: Allow
Blog :: Party
Thirty :: and a Hippie
Heir :: Apparent
What are you doing? :: Dave?
Complaint :: Grievance
Leave :: French
Tune :: a Fish]]>
      
   </content>
</entry>
<entry>
   <title>A New Technique for Slap and Funk Bass</title>
   <link rel="alternate" type="text/html" href="http://www.radicaldruid.com/2009/01/a_new_technique_for_slap_and_f.html" />
   <id>tag:www.radicaldruid.com,2009://15.7276</id>
   
   <published>2009-01-02T17:05:59Z</published>
   <updated>2009-01-03T00:20:47Z</updated>
   
   <summary>The initial description of a new technique for slap or pop bass - clawhammer funk.</summary>
   <author>
      <name>JRL</name>
      <uri>http://www.radicaldruid.com/movabletype/aboutme.html</uri>
   </author>
         <category term="Influences" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="83" label="bass technique" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="87" label="clawhammer" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="93" label="clawhammer bass" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="81" label="electric bass" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="84" label="funk" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="89" label="Jaco Pastorius" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="86" label="slap bass" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="91" label="Victor Wooten" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://www.radicaldruid.com/">
      <![CDATA[OK ... so here it is.

Last night whilst playing my usual gig with Hardrick Rivers and company at the Pioneer Pub in Natchitoches, I believe that I discovered a new (and potentially revolutionary) technique for playing slap, pop and funk bass.

I had been thinking on two different wavelengths prior to last night.

The first was Victor Wooten's right hand technique, particularly the thumb technique where he uses his thumb as if he were wearing a thumb pick - as opposed to a Larry Graham/Bootsy Collins thumb technique which approaches the strings vertically (i.e., the thumb pops up vertically from the string in a primarily percussive thwack), Victor's technique involves popping with the thumb <i>horizontally</i> so it can perform an upstroke for additional speed and effect.  When he combines this with left guitarist technique for hammer-ons and pull-offs, the end result is dazzling speed.

The second was Jaco Pastorius' use of chording and false harmonics.  When exploring different chord shapes and voices around the neck, I sounded the chords out using arpeggios played with my thumb, index, middle (and sometimes ring) fingers - not an unusual approach when one is playing acoustic fingerstyle guitar - or banjo.  Particularly <i>claw hammer</i> style banjo.

The innovation is the <i>claw hammer</i> approach.  I admit I was troubled with the "double-thumb" technique of Victor's.  Why not just use a thumb-pick, as you would on a banjo, instead of resting (and in a sense, limiting the range of motion of) your thumb.  I've always avoided techniques that involved resting the hand in anyway on the strings or nearby props (like the old Precision thumb rests).  And my thumb slap technique was deeply rooted in the vertical style.

But to use the thumb and first fingers in combination, and move the thumb for a second combination stroke with subsequent index and ring finger "plucks"?  Keeping an underlying rhythm going consisting of sounded notes and/or muted string unsounded notes while the hand floats above the strings (and along the neck)?  That, my friends, is "claw hammer funk" bass.

I'm still working out the details and some of the mechanics.  But the end result should be (provided that you have sufficient hand strength) a bass style that provides both thumb and finger pop and slap, with a fluidity and dexterity akin to Earl Scruggs banjo technique.

And there you have it.]]>
      
   </content>
</entry>
<entry>
   <title>Space Between Breath</title>
   <link rel="alternate" type="text/html" href="http://www.radicaldruid.com/2009/01/space_between_breath.html" />
   <id>tag:www.radicaldruid.com,2009://15.7275</id>
   
   <published>2009-01-02T16:10:11Z</published>
   <updated>2009-01-02T16:47:01Z</updated>
   
   <summary>What still remains when words have run their course, and soundless, lay exuberant and spent beyond the realm of sound? What is the source that waits between each breath, self-evident for just the briefest moment, as the lull when one...</summary>
   <author>
      <name>JRL</name>
      <uri>http://www.radicaldruid.com/movabletype/aboutme.html</uri>
   </author>
         <category term="Poetry" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en" xml:base="http://www.radicaldruid.com/">
      <![CDATA[What still remains when words have run their course,
and soundless, lay exuberant and spent
beyond the realm of sound?  What is the source
that waits between each breath, self-evident

for just the briefest moment, as the lull
when one idea dies and one is born
expands in pregnant silence and is full
of consonants and vowels not yet quite formed?

In which dimension does such time exist?
It has no breadth or width, nor is it tall.
It has no form, but hangs like evening mist
on summer nights surrendering to fall.

And past that quiet whisper, when all sound
has faded into nothing and is gone,
the meaning of the universe is found:
the stuff that only dreams are built upon.

<i>02 JAN 2009</i>]]>
      
   </content>
</entry>
<entry>
   <title>What Soundtrack</title>
   <link rel="alternate" type="text/html" href="http://www.radicaldruid.com/2008/12/what_soundtrack.html" />
   <id>tag:www.radicaldruid.com,2008://15.7274</id>
   
   <published>2008-12-16T15:25:48Z</published>
   <updated>2008-12-16T15:36:50Z</updated>
   
   <summary>If you would write the soundtrack to your life, the background noise for every single hour - those shining moments when you&apos;re at your best, as well as when you&apos;re sad and dour - what music and what songs would...</summary>
   <author>
      <name>JRL</name>
      <uri>http://www.radicaldruid.com/movabletype/aboutme.html</uri>
   </author>
         <category term="Poetry" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en" xml:base="http://www.radicaldruid.com/">
      <![CDATA[If you would write the soundtrack to your life,
the background noise for every single hour
- those shining moments when you're at your best,
as well as when you're sad and dour -

what music and what songs would fill the space
when even time and motion seem to cease,
stretched far beyond the limit of your ears?
What voice conveys some sense of inner peace?

<i>16 DEC 2008</i>]]>
      
   </content>
</entry>
<entry>
   <title>Arise, New Day</title>
   <link rel="alternate" type="text/html" href="http://www.radicaldruid.com/2008/12/arise_new_day.html" />
   <id>tag:www.radicaldruid.com,2008://15.7273</id>
   
   <published>2008-12-13T07:01:30Z</published>
   <updated>2008-12-13T07:02:16Z</updated>
   
   <summary>Arise, new day, your way much like the last, one footstep forward further from the past; and in your wake leave only settling dust that would try to preserve because it must, or else subside to shadows that soon fade...</summary>
   <author>
      <name>JRL</name>
      <uri>http://www.radicaldruid.com/movabletype/aboutme.html</uri>
   </author>
         <category term="Poetry" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en" xml:base="http://www.radicaldruid.com/">
      <![CDATA[Arise, new day, your way much like the last,
one footstep forward further from the past;
and in your wake leave only settling dust
that would try to preserve because it must,
or else subside to shadows that soon fade
as from their brittle bones new day is made.

Arise, new day, your time has surely come!

Your heartbeat echoes last night's funeral drum,
and pulses with the force of health and light
along the pale horizon, left to right.

Arise, new day, waste not a single breath;
lest you, too, slip complacent into death.

<i>12 DEC 2008</i>]]>
      
   </content>
</entry>
<entry>
   <title>Super 8</title>
   <link rel="alternate" type="text/html" href="http://www.radicaldruid.com/2008/12/super_8.html" />
   <id>tag:www.radicaldruid.com,2008://15.7272</id>
   
   <published>2008-12-05T00:30:58Z</published>
   <updated>2008-12-05T00:32:05Z</updated>
   
   <summary>Cheap hotel, out on the turnpike between come and gone; far too late for sleeping, far too early to be getting on. Who can tell? Sometimes the line between what&apos;s right and wrong fades into nothing like an old fashioned...</summary>
   <author>
      <name>JRL</name>
      <uri>http://www.radicaldruid.com/movabletype/aboutme.html</uri>
   </author>
         <category term="Lyrics" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en" xml:base="http://www.radicaldruid.com/">
      Cheap hotel, out on the turnpike 
between come and gone;
far too late for sleeping, 
far too early to be getting on.

Who can tell? Sometimes the line
between what&apos;s right and wrong
fades into nothing 
like an old fashioned country song.

You and me? It&apos;s hard to figure out
the bottom line;
too much time together,
not enough of it was very fine.

Some say love heals every wound,
and some say love is blind;
When it&apos;s gone,
it doesn&apos;t leave too much behind.

What we had is over,
and it really doesn&apos;t matter whose to blame.
Really makes no difference,
win or lose, you end with nothing just the same.

Cheap hotel, out on the turnpike
just a mile or so;
far enough to say I&apos;m leaving,
close enough to nowhere else to go.

      
   </content>
</entry>
<entry>
   <title>Interpretative Liberal Arts?</title>
   <link rel="alternate" type="text/html" href="http://www.radicaldruid.com/2008/11/interpretative_liberal_arts.html" />
   <id>tag:www.radicaldruid.com,2008://15.7271</id>
   
   <published>2008-11-19T16:40:06Z</published>
   <updated>2008-11-19T17:25:00Z</updated>
   
   <summary>I don&apos;t know if ya&apos;ll have seen this, but it disturbs me a little (and so I feel it essential sharing ... LOL). There&apos;s a web-based ad (I saw it on MySpace --- I know, I know for shame, for...</summary>
   <author>
      <name>JRL</name>
      <uri>http://www.radicaldruid.com/movabletype/aboutme.html</uri>
   </author>
         <category term="Conversation" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en" xml:base="http://www.radicaldruid.com/">
      I don&apos;t know if ya&apos;ll have seen this, but it disturbs me a little (and so I feel it essential sharing ... LOL).

There&apos;s a web-based ad (I saw it on MySpace --- I know, I know for shame, for shame) for some kind of online/continuing education that begins with the question &quot;Are you interested in a career in...&quot; and then shows the same fresh scrubbed blonde who has obviously been paid (because she is smiling) to be photo-shopped into various &quot;uniforms&quot; ... 

Criminal Justice -- she looks a bit like Heather Locklear from TJ Hooker here
Education -- she looks prim and proper, and is holding an apple
Business - she&apos;s wearing a nice blue suit
Health Care - dressed in scrubs with a stethoscope around her neck
Something Else - just an outline of this poor girl, with no specific picture, and 
Liberal Arts - she&apos;s smiling and holding a MICROPHONE

Sadly, and maybe it&apos;s because she&apos;s a young, beautiful blonde, there&apos;s no options for Science (or maybe nobody looks good with a pocket protector, microscope or calculator).  But that&apos;s not my biggest beef.

As you may have guessed, my main problem is with the Liberal Arts choice.

Since WHEN did Liberal Arts mean Entertainment?  Like American Idol?  Or do they mean, in a twisted sort of Amerikka way that Liberal somehow implies fluff, without substance, just some kind of anti-technology, anti-intellectual, anti-real work sort of existence?

Last time I looked, Liberal Arts included History, Archaeology, Language, Art, Music and a myriad of so-called &quot;soft sciences&quot; like Psychology, Anthropology, Philosophy?  Isn&apos;t everything that isn&apos;t Biology, Chemistry or Physics derivative, or somehow lumped under the business of Business a Liberal Art?  

Isn&apos;t liberal arts really about THINKING in coordination with some kind of doing, and not about bandying about with a microphone and TALKING (or singing)?  

If you judge it based on these kinds of advertisements, apparently not.

What is wrong with this picture?  What is wrong with people?  What is wrong with education?
      
   </content>
</entry>
<entry>
   <title>Blue Monday</title>
   <link rel="alternate" type="text/html" href="http://www.radicaldruid.com/2008/11/blue_monday.html" />
   <id>tag:www.radicaldruid.com,2008://15.7270</id>
   
   <published>2008-11-03T17:12:26Z</published>
   <updated>2008-11-03T17:40:40Z</updated>
   
   <summary>I&apos;ve never met a President, I doubt I ever will; In recent years, the only likely one for that was Bill. They never seem to be much like the people that I know: they have more money, that&apos;s for sure,...</summary>
   <author>
      <name>JRL</name>
      <uri>http://www.radicaldruid.com/movabletype/aboutme.html</uri>
   </author>
         <category term="Politics" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en" xml:base="http://www.radicaldruid.com/">
      <![CDATA[I've never met a President, I doubt I ever will;
In recent years, the only likely one for that was Bill.
They never seem to be much like the people that I know:
they have more money, that's for sure, and travel to and fro

persuading and attempting to convince me what is real
in case I haven't figured out the truth of the whole deal:
it doesn't really matter, in the end, who claims to run the show
or who claims some authority based on some need to know,

I'll do what I believe is right, just like I've always done,
and won't require one law to change, nor need to purchase guns,
nor back my claim with scripture, nor intimidate with threat,
nor count on anyone to help me but my work and sweat.

You see, it doesn't matter - 'cause if the whole world's insane,
the only thing you've got to fear is what's in your own brain;
and if you need approval from the masses for your truth
you might as well forget it.  It won't be from voting booths

that your redemption will come forth; no, it will never be
so long as there need to be laws to give you liberty.
You're free already - it's your choice to stand or else to kneel;
you'll be convicted either way, so which has more appeal -

to live the life you know is right, be kind, and just and wise?
or wait for some new world to dawn?  If you think that these guys
who look to be elected, either one, can make things right
and turn approaching twilight into dawn by skipping night,

can with some magic heal the wounds we've spent years making sore,
can get rid of depression, terrorism, hate and war,
can counter greed, and selfish interest, and make people care,
then you're off in some other world, and I wish you luck there.

But here, real change is up to you and me, and no one else;
there's only one who's fit to change your world, and that's yourself.
Unless you work to make this place, this time, worth living in,
you might as well vote with a blindfold. Don't bitch if you win.

<i>03 NOV 2008</i>]]>
      
   </content>
</entry>
<entry>
   <title>Muttering No. 301</title>
   <link rel="alternate" type="text/html" href="http://www.radicaldruid.com/2008/11/muttering_no_301.html" />
   <id>tag:www.radicaldruid.com,2008://15.7269</id>
   
   <published>2008-11-02T10:17:58Z</published>
   <updated>2008-11-02T10:18:26Z</updated>
   
   <summary>Again, courtesy of LunaNina.com | Unconscious Mutterings: In love ::with Be my guest ::at your service Number one ::fan Swallowed whole ::bolted 50 percent ::solution Made in ::some other place Supplement ::add-on Right for ::now Endless ::wire Ceramic ::tile...</summary>
   <author>
      <name>JRL</name>
      <uri>http://www.radicaldruid.com/movabletype/aboutme.html</uri>
   </author>
         <category term="Words" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en" xml:base="http://www.radicaldruid.com/">
      <![CDATA[Again, courtesy of <a title="LunaNina.com | Unconscious Mutterings" href="http://subliminal.lunanina.com/">LunaNina.com | Unconscious Mutterings</a>:

In love ::with
Be my guest ::at your service
Number one ::fan
Swallowed whole ::bolted
50 percent ::solution
Made in ::some other place
Supplement ::add-on
Right for ::now
Endless ::wire
Ceramic ::tile]]>
      
   </content>
</entry>
<entry>
   <title>In that brief instant</title>
   <link rel="alternate" type="text/html" href="http://www.radicaldruid.com/2008/11/in_that_brief_instant.html" />
   <id>tag:www.radicaldruid.com,2008://15.7268</id>
   
   <published>2008-11-02T04:52:09Z</published>
   <updated>2008-11-02T05:03:51Z</updated>
   
   <summary>When surety retreats to shadows, tenuous and mewling like a frightened child that in the creeping dark sees monsters and in a fetal shivering ball refuses what assurance reason offers - in that time between the second hand&apos;s slow grinding...</summary>
   <author>
      <name>JRL</name>
      <uri>http://www.radicaldruid.com/movabletype/aboutme.html</uri>
   </author>
         <category term="Poetry" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en" xml:base="http://www.radicaldruid.com/">
      <![CDATA[When surety retreats to shadows,
tenuous and mewling like a frightened child
that in the creeping dark sees monsters
and in a fetal shivering ball refuses
what assurance reason offers -
in that time between the second hand's
slow grinding pulsing on,
when the low thud of eardrums echoes,
drowning out each labored breath,
and the future seems as distant
as one blade of grass from another
in the scale economy of a flea
on the back of a mongrel universe -
in that moment of uncertainty,
the wounded soul heals
and by its scars is grown.

<i>01 NOV 2008</i>
]]>
      
   </content>
</entry>
<entry>
   <title>Like Miles Says, &quot;So What&quot;</title>
   <link rel="alternate" type="text/html" href="http://www.radicaldruid.com/2008/10/like_miles_says_so_what.html" />
   <id>tag:www.radicaldruid.com,2008://15.7266</id>
   
   <published>2008-10-07T15:42:01Z</published>
   <updated>2008-10-07T15:45:53Z</updated>
   
   <summary>NarcissusWorks: The Ghost Anthology: No, it&apos;s not a real poetry collection. No, I didn&apos;t write the one line poem attributed to me. No, I didn&apos;t give my permission for, or seek, inclusion in this farcical volume. But think about it....</summary>
   <author>
      <name>JRL</name>
      <uri>http://www.radicaldruid.com/movabletype/aboutme.html</uri>
   </author>
         <category term="Poetry" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en" xml:base="http://www.radicaldruid.com/">
      <![CDATA[<a title="NarcissusWorks: The Ghost Anthology" href="http://annyballardini.blogspot.com/2008/10/ghost-anthology.html">NarcissusWorks: The Ghost Anthology</a>:

No, it's not a real poetry collection.

No, I didn't write the one line poem attributed to me.

No, I didn't give my permission for, or seek, inclusion in this farcical volume.

But think about it.  If you ARE a living poet and you WERE somehow included, it's probably one of the few, if not the ONLY time in your life that you will be included as a "poet" along with the likes of Rainier Maria Rilke, Walt Whitman, Jack Keroauc or even Ron Silliman.

This freak act of iambic penterrorism, or whatever you want to call it, has by the simple fact of random collection given you, me and everyone else on its table of contents a kind of legitimacy -- the same kind of legitimacy that we now share with 98% of historical figures, that we are referenced in print by yet another source.

In this world of screen names, false accounts, spoofed IP addresses, and other ridiculously easy ways to remain anonymous while spouting damn near anything from a virtual soapbox, maybe that's as "REAL" as it's ever going to get.

And as a parting thought ... think of the MILLIONS of folks who post what they call poetry on their websites, on poetry bulletin boards, anywhere they can get access, that their friends and readership laud with attaboys, right ons and "oh how deeps" ... folks who remind of watching American Idol audition outtakes (if they were for poets, instead) who WEREN'T included on this voluminous list.  Why us, instead of them?  Perhaps because some of us in this anthology actually ARE poets.]]>
      
   </content>
</entry>
<entry>
   <title>Unconscious Mutterings No. 295</title>
   <link rel="alternate" type="text/html" href="http://www.radicaldruid.com/2008/09/unconscious_mutterings_no_295.html" />
   <id>tag:www.litzenberg.net,2008://15.7265</id>
   
   <published>2008-09-21T16:03:14Z</published>
   <updated>2008-09-21T16:03:39Z</updated>
   
   <summary>From somewhere behind the frontal lobe, LunaNina.com | Unconscious Mutterings brings you my take on: Heist ::Lift Hack ::Break Dane ::Great Stings ::Smacks Monkey ::Man Junkie ::Strung Out Pumped ::Up Brass ::Monkey Fight! ::the Power Vouch ::Safe...</summary>
   <author>
      <name>JRL</name>
      <uri>http://www.radicaldruid.com/movabletype/aboutme.html</uri>
   </author>
         <category term="Words" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en" xml:base="http://www.radicaldruid.com/">
      <![CDATA[From somewhere behind the frontal lobe, <a title="LunaNina.com | Unconscious Mutterings" href="http://subliminal.lunanina.com/">LunaNina.com | Unconscious Mutterings</a> brings you my take on:

Heist ::Lift
Hack ::Break
Dane ::Great
Stings ::Smacks
Monkey ::Man
Junkie ::Strung Out
Pumped ::Up
Brass ::Monkey
Fight! ::the Power
Vouch ::Safe]]>
      
   </content>
</entry>
<entry>
   <title>Beyond Faith and Belief</title>
   <link rel="alternate" type="text/html" href="http://www.radicaldruid.com/2008/09/beyond_faith_and_belief.html" />
   <id>tag:www.litzenberg.net,2008://15.7264</id>
   
   <published>2008-09-16T02:03:53Z</published>
   <updated>2008-09-16T02:04:38Z</updated>
   
   <summary>Should you and I want to discuss the ins and outs of our belief (how one way suits and others don&apos;t), let&apos;s keep it to the point, and brief, and leave those things like faith behind. For faith and reason...</summary>
   <author>
      <name>JRL</name>
      <uri>http://www.radicaldruid.com/movabletype/aboutme.html</uri>
   </author>
         <category term="Poetry" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en" xml:base="http://www.radicaldruid.com/">
      <![CDATA[Should you and I want to discuss
the ins and outs of our belief
(how one way suits and others don't),
let's keep it to the point, and brief,
and leave those things like faith behind.

For faith and reason do not meet;
the one without the other fills
quite different needs: pure faith exists
to carry us between effects
for which we find no logic's cause.

And reason? That's the evidence
that each will use to prove their case
(and often, when intents diverge,
can point so many different ways
and then make liars of either side.

But you and I, unless we hate,
can talk about our firm beliefs;
and find perhaps some middle ground
where our perceptions may give way
to solid ground, instead of air.

But hate? What good is that to us,
if what we dream we can achieve
is something more than us and them,
beyond the blame we both should share,
some kind of balance, some small peace?

Let's talk, and leave such fools behind
that would become what they despise;
instead, let's listen for a while
and let our voices, strained with shouts,
take time to heal before we speak.

<i>15 SEP 2008</i>]]>
      
   </content>
</entry>
<entry>
   <title>Thoughts on a Rainy Day America</title>
   <link rel="alternate" type="text/html" href="http://www.radicaldruid.com/2008/09/thoughts_on_a_rainy_day_americ.html" />
   <id>tag:www.litzenberg.net,2008://15.7263</id>
   
   <published>2008-09-13T16:47:06Z</published>
   <updated>2008-09-13T16:52:14Z</updated>
   
   <summary>Watching the news about Hurricane Ike and watching the water rise on the front door step, looking through some things I wrote immediately before and after Hurricane Katrina, I came across this piece that makes me think of the both...</summary>
   <author>
      <name>JRL</name>
      <uri>http://www.radicaldruid.com/movabletype/aboutme.html</uri>
   </author>
         <category term="Poetry" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en" xml:base="http://www.radicaldruid.com/">
      <![CDATA[Watching the news about Hurricane Ike and watching the water rise on the front door step, looking through some things I wrote immediately before and after Hurricane Katrina, I came across this piece that makes me think of the both Democratic and Republican national conventions.

<b><u>No Shaman Left to Heal Our Tribe</u></b>

<i>for Jim Morrison</i>

Come, dig the grave, but not too deep;
the eighties were a shallow time.
We spent a decade just to learn
how to maintain appearance's sake
and delve with questions, off-the-cuff,
in cocktail conversation bluffs.

Come, dig the grave, the shovel's mouth
will gouge the earth enough to serve
as depth-gauge for the swollen corpse;
besides, the scavengers we bred
in boredom need not work too hard
to find in us their daily bread.

Come, dig the grave; it's only death
that by necessity is born
and like a cancer spreads throughout
the tender tissue we have formed
to shield us from the sunlight's glare
and make believe there's nothing there.

Come, work the soil and lay the sod;
the garden must be fed anew
lest what fruit has escaped the rod
be left to rot by morning's dew.
What harvest plenty still remains
is just enough to clog the drains.

Come, dig the grave, but not too deep,
lest toil and sweat destroy our youth.
Let future generations weep
that they've no gravestone for the truth.
Besides, it's almost happy hour ---
we should arrive by our own power.

<i>03 OCT 2005</i>]]>
      
   </content>
</entry>
<entry>
   <title>Monster Set List: The Cover Songs</title>
   <link rel="alternate" type="text/html" href="http://www.radicaldruid.com/2008/09/monster_set_list_the_cover_son.html" />
   <id>tag:www.litzenberg.net,2008://15.7262</id>
   
   <published>2008-09-09T16:38:52Z</published>
   <updated>2008-09-09T16:48:18Z</updated>
   
   <summary>OK, so here it is. The current list of songs by other people that I might throw into a set. Ain’t No Sunshine Almost Cut My Hair Baby What Do You Want Me To Do Back Door Man Bartender’s Blues...</summary>
   <author>
      <name>JRL</name>
      <uri>http://www.radicaldruid.com/movabletype/aboutme.html</uri>
   </author>
         <category term="Influences" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en" xml:base="http://www.radicaldruid.com/">
      OK, so here it is.  The current list of songs by other people that I might throw into a set.

Ain’t No Sunshine
Almost Cut My Hair
Baby What Do You Want Me To Do
Back Door Man
Bartender’s Blues
Blue Christmas
Born in Chicago
Brown-Eyed Girl
Call Me the Breeze 
Casey Jones
Cheap Thrills
Cocaine
Crazy
Crying Time
      Dead Flowers
Dock of the Bay
Don’t Think Twice It’s All Right
Drift Away
Everyday I Have the Blues
Feel So Bad
Feelin’ Alright
Flip, Flop &amp; Fly
Folsom Prison Blues
For What It’s Worth
Funny How Time Slips Away
Got My Mojo Working
Guilty
Help Me Make It Through the Night
Hey Good Lookin’
Hoochie Cootchie Man
I Don’t Need No Doctor
I Shall Be Released
I&apos;m a Man
It Takes a Lot of Laugh, a Train to Cry
Jambalaya
Just My Imagination
Kansas City
Knocking on Heaven’s Door
Lawdy Miss Clawdy
Like a Rolling Stone
Little Red Rooster
Lodi
Louise
Love Me With a Feeling 
Many Rivers to Cross
Margaritaville
Matchbox
Matilda
Mercedes Benz
Mess of the Blues
Mother Earth Blues
Never Been to Spain
Next Time You See Me
No Expectations
One Way Out
Paint It Black
Polk Salad Annie
Red House
Rock Me Baby
Roll in My Sweet Baby’s Arms
Route 66
Santa Bring My Baby Back to Me
Santa Claus is Back in Town
See You Later Alligator
She Thinks I Still Care
Sin City
Sitting on Top of the World
Slow Down
Smoke Smoke Smoke (That Cigarette)
Steamroller Blues
Stormy Monday
Susie Q
Sweet Jane
T for Texas
Take This Job and Shove It
Tell It Like It Is
Tennessee/Kentucky Waltz
Texas
The Jealous Kind
The Pusher
The Thrill is Gone
The Weight
They All Asked for You / Iko Iko
Things That I Used to Do
Today I Started Loving You Again
Tonight the Bottle Let Me Down
Tore Up
Try a Little Tenderness
Unchain My Heart
Waiting on My Man
What’s Goin’ On?
Whiskey Heaven
Whiskey Under the Bridge
Who is he and what is he to you?
Wonderful Tonight
You are So Beautiful
You Never Called Me By My Name
   </content>
</entry>

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